Saturday, August 20, 2011

Project : Rooftop Spider-Man Redesign

A little over a week ago I found a website named Project : Rooftop - if you've never heard of it go check it out because it's totally cool!


This site offers challenges to redesign famous comic book characters and there is a whole bunch of amazing art up there with some really awesome redesigns!

So, they had a contest to redesign Spider-Man's costume, and below is my submission...



Now, since I seem to put a lot of emphasis on story, there is a robust description of exactly what this suit is all about. It is probably a case of function over form...I don't know...you decide:

Spider-Man Costume Redesign Details:
This costume is an extension of the concept that Peter Parker is gifted in the areas of science and engineering, having designed and built web-shooters and spider-tracers as a teenager (two very subtly complex devices). Taking that aspect of Peter’s character into account, and assuming that if Peter were to redesign his costume he'd add new functionality and not simply alter his look, this costume is solar powered, able to absorb any type of light into the extreme black of the spider insignias on the front and back of the costume. The webs that cover the entirety of the costume function as the power source used to keep charged five small robotic spiders that can crawl around Peter’s body. Each of the five robotic spiders (designed by Peter and built with a little help from Reed Richards) is fitted with robust artificial intelligence and respond to voice commands directed at the individual names given to each (Ben, May, Gwen, Flash and Robbie).

Each robotic spider has mobility and dexterity similar to a real spider.

Each robotic spider is equipped with a stinger that can be used during battle. If Spider-Man and his opponent are locked in a fight the spiders can crawl on to the opponent and use their stingers as a distraction to help Spider-Man.

Each spider is also fitted with cameras and microphones, which can be used to spy and listen to his opponent’s conversations. Transmitters allow Pete to hear and see through the spider he chooses with small headphones and a display in the left eyepiece of his mask, all activated through voice command. The transmitters also provide “spider-tracer” capability. Any of the spiders can be thrown or crawl into any room or onto any person and remain hidden, then crawl back to Peter. In this way, any spider can be used not only as a “spider-tracer” device, but for recon- almost like the rovers NASA has on Mars. The cameras and microphones can also be used to record fights (like a helmet cam, a spider can sit on Pete’s head and record the action for Peter to study later).

Each spider is equipped with its own web-shooter, shooting super thin webbing that allows for conservation of web fluid. This web-shooter can also be used to blind an opponent or plug up their ears or nose by throwing the spider or having it jump onto the opponent.

Any two spiders can be linked together to form a small handheld “smart-phone” type of device allowing Pete to access and interact with the internet at any time and communicate with anyone at any time.

Also, each spider can camouflage itself by changing color through exciting or calming the atoms of its skin

The costume itself is made from a special tight weave Kevlar type of material that provides Pete with some armored protection while also retaining the solar energy collected by the spider insignias (its like a battery as big as the surface area of his whole body, so it can retain a lot of energy). This solar power not only charges the spiders, but powers the video lenses and headphones in Spider-Man’s mask. The suit also automatically regulates Pete’s body temperature, so on hot and humid days it will cool him down and on cold days it will warm him up (no more freezing in the rain or snow). It will also recycle his sweat and retain his body salt, to improve his hydration and stamina in a long conflict.

Finally, like the robotic spiders, the suit itself can change color and work as a type of camouflage. Again this is voice activated. If no voice commands are given the suit will, by default, alter color depending on intensity (blue when things are calm, red when things are intense).

Thursday, July 28, 2011

edgi


Below you can see some promotional material I made for edgi. The "Chocolate Covered Evil..." was an aphorism I came up with and I worked on the logo with a really talented artist named Cody Garcia. Cody came up with the skull as chocolate idea and did a great job executing the graphic. We put together some background designs that I used on the final shirt and on the promotional post cards.

At edgi I was also responsible for getting the shirts manufactured. Below you can see one of the finished shirts with the "Chocolate Covered Evil..." design worn by one of our models.


Concept Art


Above: this is a design concept for the logo of Panic Attack Press (© B-water Press).

Below are some examples of concept art I did at edgi. After coming up with the aphorisms I usually worked with the owner of the company and I would draw various quick thumbnail sketches until I hit upon something he liked. At that point I'd hand it off to a member of the art team to run with and we'd rework the design to get it to a final piece that the owners liked. It really was a team effort which I enjoyed a great deal.

All aphorisms and art © edgi

Aphorism: "Afflicted With Genius"

This one was tough, since visualizing genius as an affliction was kind of challenging. I came up with this aphorism though, so I kind of had an idea in mind for the visualization. I'm not happy with the font of the words- if I were to revisit this that would change.


Final colored artwork made by Cody Garcia

Many times I'd make several sketches until I hit upon something liked by the owners. Below are a couple of examples of my quick sketches which illustrate the process of getting to a final design.

Aphorism: I'm Having An Emotional Orgy
Instruction: Have a naked tattooed woman in the image

1) Above: first image drawn and used as a stepping stone to get to the final design.

2) Above: the final thumbnail approved by the owner.

3) Final colored artwork made by Chris Ortega



Aphorism: Victim of Bliss

1) Above: first thumbnail used as a stepping stone to get to final design.

2) Above: final approved concept design.

3) Final colored artwork made by Alisa Christopher

Photo Retouching

Here are a couple of examples of photo-retouching I did while I was working for edgi. The original photograph is on the left and my re-work is on the right. In some cases I'd create a background from scratch (as in the first image) and in other cases I'd take background photo's previously shot and re-work them for an image with the model (as in the second image).




edgi Graphic Design Work

I had an opportunity to work for a fantastic company called edgi a while back, and it really was a lot of fun! I acted as Art Director and Project Manager, and I was tasked with assembling an art team and creating the artwork and t-shirts needed for the company. I had a great time working with some wonderfully talented individuals! Below are some of the designs we created at edgi:

"Chocolate Covered Evil Is Easy To Swallow"
Finished art by Cody Garcia


"Bad Dog, No Biscuit For You
"
Finished art by James Nagel


"Love War"
Finished art by Mathew Mossman



"I Give Great Heart"
Finished art by Christina Ortega



"Charity Water"
Finished art by Cody Garcia



"An Inconvenient Truth"
Finished art by Mathew Mossman



"Stand Your Ground"
Finished art by Mathew Mossman

Amazing Spiderman #101 : Pen and Ink

A while back I was contacted to recreate the famous John Romita and Gil Kane cover from Amazing Spider-Man # 101. It is definitely one of my favorite issues, so I really loved doing this. The person I made it for just wanted an original piece of hand-drawn art of that iconic cover- since the Romita-Kane original would be impossible to come by. So, I made what you see below copying the original as closely as I could. It is ink on 11"x17" comic book Bristol and it was a blast to make (I had the original '67 Spider-Man cartoon playing in the background the whole time)!


Below you can see the comparison of the cover at comic book size, and the recreation at 11"x17".

It really is one of the all time greats of comics. They just don't make them like John Romita and Gil Kane anymore!



Animation Recreations

Years ago I started out as an animator- before the digital days believe it or not! Sometimes I do re-creations of animated scenes that folks want to see. Here are a couple of examples of how it's done.

This example (below) I did as a gift for a friend who owns a local comic book store. He has his own character, named Captain Four Color, who is used to promote Flying Colors Comics.
I found a shot from the Justice League show that I though would work great for a Captain Four Color cel. The process starts by drawing the characters with the shading in the proper positions.


Next, I xerox the drawings onto clear transparencies and paint them using cel paints (from Cartoon Colour). It is necessary to mix the colors to get the right shades of skin tone and reds and so forth.

Above: here are the backs sides of the transparencies. When painting a cel (or transparency) you always paint on the back side of the print, and you paint in stages; painting one color then letting it dry and painting the next color butting up to it. By painting on the back side you maintain the detail of the line work from the drawing. By painting colors in stages you prevent colors from mixing on the acetate sheet. Also, once a color is dry you can paint on top of it without damaging the image. Cel paint is very viscous and leaves a nice thick coat on the transparency.

Above: here are the front sides of the painted transparencies. As you can see the integrity of the line work is in tact. Also, since these are transparencies and not animation cels, they can not be confused with original production cels used in an animated tv series.

Next, I used the background from the episode I was re-creating this moment from and Photoshoped out the characters. The final result consists of 2 painted transparencies on top of a printed background.


Below is another example of a cel re-creation that I did as a request from a Justice League fan.

Above is the back of the painted cel. Below is the front.

Above is the re-created background made in Photoshop. Below is the finished transparency sitting on the background print.